The Spring Thing and trying not to buy novels
I have to admit that I experienced a twinge of annoyance and a dollop of disappointment last Saturday morning at the Spring Thing Literature event, organised by the Birmingham Book Festival. But before I tell you why I felt like that, I have to make it clear that those feelings were quickly replaced by enjoyment and I was grateful that the organisers had kept some last-minute information close to their chest.

I’d been looking forward to hearing Helen Dunmore giving a talk about her latest novel and prize-winning poetry, and it wasn’t until I’d seated myself in the large auditorium of the Birmingham Conservatoire that I found out that she was unable to attend, and two other novelists would be taking her place. I had a lot on my plate that weekend (a long drive down to South Wales that evening, followed by an even longer drive to East Sussex the next day) and if I’d been informed beforehand, I’d have chosen to miss that first session – so I’m now grateful to the organisers, because I’d have missed hearing Judith Allnatt (The Poet’s Wife) and Clare Clark Savage Lands) in Conversation with each other, expertly led by Jonathan Davidson of Writing West Midlands .
It was fascinating to hear both authors explain what had inspired them to write their historical novels and compare the particular logistical problems they encountered and how they resolved them. They make a very good combination for a session like this.
When they were talking about their research methods, I particularly enjoyed Judith’s description of the process of accumulating information almost randomly, following whatever paths presented themselves, immersing herself in her chosen period almost randomly until she ‘knew’ it so thoroughly she didn’t need to think about it – it had become a part of her. The analogy of growing a crystal in her school lab was something I understood at the time, but couldn’t explain it clearly now!

The next session was also excellent: a Panel Discussion, again chaired by Jonathan, with three more novelists, Aifric Campbell ,(The Loss Adjustor) Samantha Harvey (The Wilderness), and Amanda Smyth (Black Rock).
The only difficulty for me was to resist the temptation of buying all three of those novels to add to my To-be-Read mountain.
Stuart Maconie’s books sounded amusing informative and I felt that his latest, Adventures on the High Teas, (wandering through Middle England) would make an ideal present but at that time my mind couldn’t come up with the exact person to give it to.

The day itself was a satisfying feast, with just enough down-time between each of the five sessions and plenty of opportunity to chat to other readers and writers over coffee and lunch. I was sorry that I had to leave early, missing Carol-Ann Duffy’s session at the end, and only allowing myself a brief taste of Jo Bell
and another last-minute stand-in,
Oh! and I mustn’t forget to do my share of eavesdropping on July 1st!
A dream venue for my book launch and now this!
What a week this has been for me and for my latest ‘babies’: Paper Lanterns, and my publishing venture, Novel Press. On top of all this, I nearly jumped out of my skin this morning when I was leafing through today’s Birmingham Post. I was scanning for an article and a photo that I’d been informed would appear last week.
It didn’t.
Although I don’t tend to expect more than my share of luck to land on my doorstep, I have to admit that I was rather disappointed, especially as the photographer had come to take my photo the Tuesday before. ‘Oh well! Never mind,’ I thought. ‘It’s a shame, but they’ve obviously got better things to print.’
However, I never let myself be put off by low expectations , so before I went to work I stopped at the useful shop at the top of the hill. I slowly turned the pages, thinking, ‘Not likely to be in this week with all this election stuff jostling for space.’
It wasn’t in Books, Films, History, Outdoors, Motoring, or Travel. Business Briefing? Not likely! Then, over the page, under the heading, Business Profile there was my face occupying the entire page! And on the facing page, another photo and a whole long article about ME!! AUTHOR AND PUBLISHER CHRISTINE COLEMAN

But I’m running ahead of myself. This amazing double-page spread happened today, and I haven’t yet said anything about Tuesday evening at the Ikon Gallery. What a fabulous venue for my launch! This was all thanks to Sara Beadle and staff at the Birmingham Book Festival who organised the whole event, liaising with the staff at the Ikon Gallery.
They were all keen to help promote me as a local author and publisher, together with my childhood friend, Clarissa Dickson Wright who has loyally supported me in my writing endeavours (more of this in my next post)

When we arrived, Clarissa and I posed for photographs, in the Ikon Cafe and then we and my husband were treated to an excellent meal of tapas and other mouth-watering dishes. Clarissa is well known for her interest in good food, and was genuinely enthusiastic in her praise of our meal.
We were then taken up in a glass lift . Here’s the description from their website
“The dramatic second floor galleries offer 228.2m² of space and are light and airy, retaining the original arched gothic ceiling.”

The Ikon staff and volunteers had to wait till the gallery had been closed to the public before they could bring in the 90 chairs, erect the platform for me and Clarissa, arrange the copies of Paper Lanterns and my first novel, The Dangerous Sports Euthanasia Society on a table at the far end, and lay out the drinks for the audience at the other end. It was all done with amazing speed and efficiency, ready to welcome the audience at the appointed time of 6.45.
All the seats were taken and everyone in the audience was wonderfully attentive and appreciative. They laughed in the right places and I was amazed and delighted at their reactions to my readings of two of the original letters that partly inspired the novel. I’ll be writing more about this event (including book sales and Novel Press in future posts,) and about the Birmingham Post article.
In the meantime, take a look at this excellent article by Jonathan Davidson, Chief Executive of Writing West Midlands, with his hard-hitting piece ‘New ways of Publishing’


